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Post by julienhb on Nov 5, 2009 19:40:30 GMT -5
Hello everyone!
One common criticism from people commenting my work is feathering and texture variety... People often say that feathering is a bit similar whether it's skin, metal, cloth, etc.
Could any one help me on this topic? Is there an inker I should look at more closely? Or exercices to improve this point?
Thanks a lot!
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Post by julienhb on Nov 12, 2009 17:53:40 GMT -5
Well... Nobody has an idead on how I could improve that point?
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Post by justice41 on Nov 13, 2009 10:08:05 GMT -5
I don't know if it's your fault though. If the penciller draws the same type of feathering your only choice is to do it his way or ignore it. I think the only thing you can possibly do is the keep the linework on the skins thinner than on the fabrics or materials Don't go too heavy on linework on faces unless it's specifically called for. I'd say look at Townsend and maybe Weems a bit more.
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Post by clockwerkj on Nov 13, 2009 13:54:37 GMT -5
Think about the object you are inking. Silk, Vinyl Leather is going to be slick well tapers lines the look the same. flannel would be rough as would wool. trees are bumpy. It's pretty simple. if you dont think about what the object is then the lines will always be the same. What kind of line the penciller drew is rellevant. he's making a line so that you know there are supposed to be lines. if he draws them exactly how they are supposed to be then that makes inking pretty boring.
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